‘HU Enigma’ is in the documentaries competition of Toulouse FF!
The Toulouse Festival just announced the films selected for their 24th edition and our ‘HU Enigma’ will participate in the documentaries’ competitive exhibition accompanied by two other Brazilian films, ‘Witness 4’ by Marcelo Grabowsky, and ‘Hyperwomen’ by Carlos Fausto, Leonardo
‘HU Enigma’ is in the documentaries competition of Toulouse FF!
The Toulouse Festival just announced the films selected for their 24th edition and our ‘HU Enigma’ will participate in the documentaries’ competitive exhibition accompanied by two other Brazilian films, ‘Witness 4’ by Marcelo Grabowsky, and ‘Hyperwomen’ by Carlos Fausto, Leonardo
‘HU Enigma’ wins Tiradentes Film Festival!
“HU” won the award for BEST FILM from Tiradentes Festival Young Jury! And the young critics shook the Festival when announcing the award: “We came to Tiradentes expecting to be surprised: we wanted to know what they had to say
‘HU Enigma’ wins Tiradentes Film Festival!
“HU” won the award for BEST FILM from Tiradentes Festival Young Jury! And the young critics shook the Festival when announcing the award: “We came to Tiradentes expecting to be surprised: we wanted to know what they had to say
HU ENIGMA selected for the main competition of Tiradentes Film Festival!
Our ‘HU ENIGMA’ has just been selected for Mostra Aurora, the main competition programme of the Tiradentes Film Festival, in Minas Gerais, Brazil! The movie will be screened on January 26, at the CINE-TENDA, an open-air theater in Tiradentes’ main
HU ENIGMA selected for the main competition of Tiradentes Film Festival!
Our ‘HU ENIGMA’ has just been selected for Mostra Aurora, the main competition programme of the Tiradentes Film Festival, in Minas Gerais, Brazil! The movie will be screened on January 26, at the CINE-TENDA, an open-air theater in Tiradentes’ main
Sound Design in documentary films masterclass at CPH:DOX 2011
Yesterday, Joana and I took part in a seminar about sound design in documentaries with two danish sound designers and the french film director Philippe Grandrieux.
Sound Design in documentary films masterclass at CPH:DOX 2011
Yesterday, Joana and I took part in a seminar about sound design in documentaries with two danish sound designers and the french film director Philippe Grandrieux.
HU Enigma selected for the Official Competition at CPH:DOX!
HU Enigma has just been selected and will make its world premiere in November at CPH:DOX, Copenhagen International Documentary Film Festival, in Denmark. The film is in the main competition of the festival called DOX:AWARD.
HU Enigma selected for the Official Competition at CPH:DOX!
HU Enigma has just been selected and will make its world premiere in November at CPH:DOX, Copenhagen International Documentary Film Festival, in Denmark. The film is in the main competition of the festival called DOX:AWARD.
Epilogue
The mechanic demolition that separated the two halves of HU has been completed. Next Sunday, December 19, the Lame Leg will finally be imploded. We’ll be there on this historic day for Rio de Janeiro and the UFRJ, filming the
Epilogue
The mechanic demolition that separated the two halves of HU has been completed. Next Sunday, December 19, the Lame Leg will finally be imploded. We’ll be there on this historic day for Rio de Janeiro and the UFRJ, filming the
Implosion’s website
The Univervisty made a website to show details of HU’s implosion. In the illustration above, we can see the official name of the ‘lame-leg’: ‘South Wing’. The ‘South Wing’ will fall next sunday.
Implosion’s website
The Univervisty made a website to show details of HU’s implosion. In the illustration above, we can see the official name of the ‘lame-leg’: ‘South Wing’. The ‘South Wing’ will fall next sunday.
Sonic Project
The journey is now double lap! While the Lame Leg is sectioned at a rate of one floor a week (and we filmed the process), we will meet with great joy and no dough the schedule for completion of the
Sonic Project
The journey is now double lap! While the Lame Leg is sectioned at a rate of one floor a week (and we filmed the process), we will meet with great joy and no dough the schedule for completion of the
Homage to Matta-Clark
After more than 30 years of discussion reality finally imposed itself: either demolish the unocupied part of the HU, or it will fall by itself. In September began the mechanic demolition that will separate the two halves of the building.
Homage to Matta-Clark
After more than 30 years of discussion reality finally imposed itself: either demolish the unocupied part of the HU, or it will fall by itself. In September began the mechanic demolition that will separate the two halves of the building.
Why are we like this? (editing notes VI)
There is something that pleases me in several of the film’s interviews. No one there seems to avoid the complexity of the addressed issues. Nobody appears to be looking for something to put the blame on – be it a
Why are we like this? (editing notes VI)
There is something that pleases me in several of the film’s interviews. No one there seems to avoid the complexity of the addressed issues. Nobody appears to be looking for something to put the blame on – be it a
Ref:
Throughout the process, we remembered many people (or better the things that most people did and do). We got closer to some and decided to avoid others. In the big long table, we sat down next to Tarkovsky of ‘Stalker’
Ref:
Throughout the process, we remembered many people (or better the things that most people did and do). We got closer to some and decided to avoid others. In the big long table, we sat down next to Tarkovsky of ‘Stalker’
Res publica (editing notes V )
And so we built our ‘building’. The deadline was tight and it often seemed we were doing two movies in one. Editing over and over again had imposed its whims, and presented day after day, new challenges. At the end
Res publica (editing notes V )
And so we built our ‘building’. The deadline was tight and it often seemed we were doing two movies in one. Editing over and over again had imposed its whims, and presented day after day, new challenges. At the end
Round corners make it easy to swallow! (editing notes IV )
A square is not easy to swallow. We see this in the first few attempts with the split screen. Schizophrenia threatened. It was also necessary that the squares would not call too much attention to themselves. That they would not
Round corners make it easy to swallow! (editing notes IV )
A square is not easy to swallow. We see this in the first few attempts with the split screen. Schizophrenia threatened. It was also necessary that the squares would not call too much attention to themselves. That they would not
Two squares (editing notes III)
At once: full and empty, complete and incomplete; life and death, hospital and cemetery. Two halves. Two places. Two actions-situations-locations. Two screens. Two squares. The relationship is obvious, straight. It allowed us to underline the idea of simultaneity, neighborhood. And
Two squares (editing notes III)
At once: full and empty, complete and incomplete; life and death, hospital and cemetery. Two halves. Two places. Two actions-situations-locations. Two screens. Two squares. The relationship is obvious, straight. It allowed us to underline the idea of simultaneity, neighborhood. And
Up to the HU (editing notes II)
When preparing the script, we bet on a construction which would account for the various actions, situations, locations that we had found in both halves of the building. We shot our bet with enthusiasm. We expected the same fulfillment now
Up to the HU (editing notes II)
When preparing the script, we bet on a construction which would account for the various actions, situations, locations that we had found in both halves of the building. We shot our bet with enthusiasm. We expected the same fulfillment now
Editing Notes I
The edting began. (It began long ago and the blog is on delay. It is all about digestion, cooking and promotion. And digestion is thinking. Thinking with the body.) I remember the first visits to HU. Distance. He challenged us
Editing Notes I
The edting began. (It began long ago and the blog is on delay. It is all about digestion, cooking and promotion. And digestion is thinking. Thinking with the body.) I remember the first visits to HU. Distance. He challenged us
Hospital invaded by flies!
Today the newspaper Globo published this: “The management of the UFRJ hospital stops surgery procedures after an invasion of flies.” Shocking. Surrealism hits the punchclock every day in the HU. Follow the link above to read the news, and be
Hospital invaded by flies!
Today the newspaper Globo published this: “The management of the UFRJ hospital stops surgery procedures after an invasion of flies.” Shocking. Surrealism hits the punchclock every day in the HU. Follow the link above to read the news, and be
Black Friday
The last Friday was terrible. Our editing station, our computer, simply did not turn on. A brand new Mac, less than three months of use … and the black screen, impassive. Help! It happened that way, which explains the gap
Black Friday
The last Friday was terrible. Our editing station, our computer, simply did not turn on. A brand new Mac, less than three months of use … and the black screen, impassive. Help! It happened that way, which explains the gap
The HU Cake
On Wednesday, our beloved hospital turned 31 years old. We were there and were surprised by the celebration (and the huge green cake). Help yourself!
The HU Cake
On Wednesday, our beloved hospital turned 31 years old. We were there and were surprised by the celebration (and the huge green cake). Help yourself!
The Shaft
At the unocupied half the shaft of the elevators was a deep void. We filled it up with the camera. She traveled through the floors, like an elevator. It was the only day we have a team of machinery. The
The Shaft
At the unocupied half the shaft of the elevators was a deep void. We filled it up with the camera. She traveled through the floors, like an elevator. It was the only day we have a team of machinery. The
Visiting the Lame Leg
The idea of inviting some people to visit the Lame Leg appeared in the workshop sponsored by the DOCTV in Brasilia. It was about sharing the access obtained by the film to a space until now interdicted. It was a
Visiting the Lame Leg
The idea of inviting some people to visit the Lame Leg appeared in the workshop sponsored by the DOCTV in Brasilia. It was about sharing the access obtained by the film to a space until now interdicted. It was a
In the Surgical Center
Everybody in gowns to enter the Surgical Center (from right to left: Marina, assistant director and I, photographer and director, Fabio, camera assistant, Joana, director, and Edson, sound technician). I think that here is where a hospital looks like the
In the Surgical Center
Everybody in gowns to enter the Surgical Center (from right to left: Marina, assistant director and I, photographer and director, Fabio, camera assistant, Joana, director, and Edson, sound technician). I think that here is where a hospital looks like the
Posters at the Lift’s Hall
A hospital is not Disneyland, but I had fun shooting the film. The logic was this: the movie was already paid and the cinema circuit was confirmed, so we could freak out at will and try diverse documentary approaches. Ok,
Posters at the Lift’s Hall
A hospital is not Disneyland, but I had fun shooting the film. The logic was this: the movie was already paid and the cinema circuit was confirmed, so we could freak out at will and try diverse documentary approaches. Ok,
Camera on a wheelchair
We visited the clinic from the perspective of a wheelchair. The clinic is often the first step for admission to hospital. You go through the screening on the ground floor, up a long ramp, go through some blue corridors and
Camera on a wheelchair
We visited the clinic from the perspective of a wheelchair. The clinic is often the first step for admission to hospital. You go through the screening on the ground floor, up a long ramp, go through some blue corridors and
The food way
The cart goes down to the kitchen to be loaded with the patients´s lunch and then it goes to the wards. For each patient, a specific diet was prescribed by the nutritionist of the floor. ‘Few structures are as complex
The food way
The cart goes down to the kitchen to be loaded with the patients´s lunch and then it goes to the wards. For each patient, a specific diet was prescribed by the nutritionist of the floor. ‘Few structures are as complex
Visiting the Lame Leg
The idea of inviting some people to visit the Lame Leg appeared in the workshop sponsored by the DOCTV in Brasilia. It was about sharing the access obtained by the film to a space until now interdicted. It was a
Visiting the Lame Leg
The idea of inviting some people to visit the Lame Leg appeared in the workshop sponsored by the DOCTV in Brasilia. It was about sharing the access obtained by the film to a space until now interdicted. It was a